Tired of the cold in Ala Dag, we headed down a 1,000 meters or so in elevation to Goreme, located in the heart of the Cappadoccia region famous for its fairy chimneys.
I will never understand why all guidebooks and tourists insist on calling sandstone pillars into which people had carved dwellings "fairy chimneys." For crying out loud people, give the monks and folks that lived there some credit -- I'm sure their existence wasn't exactly fairy-like and magical. Nobody carves a home out of rock with the entrance a couple stories above ground level unless their existence is decidedly unfairy-like.
But I digress. Before entering the land of revisionist history packaged for tour group vacations, we stopped at an underground city carved from bedrock. Yes, that would be a city with room to hold 10,000 people, some of their animals, and food for extended periods of time. Like a year (at least that is what I overheard from a guide talking to his two clients). Unbelievable. Although I would have gone mad after a day in there from constantly bumping my head on the Lilliputian sized passageways, it was surreal to see the end result. The part of the city available for viewing extends seven levels down and contains a warren of rooms that lead to a church, a monastery, a wine cellar, a massive well, etc. The only thing that was missing was a town square, although that may be located somewhere not yet open to the public for all I know. One thing is clear: the situation must have been pretty bad to cause a group of people to spend God knows how long carving a city from bedrock as an escape shelter. The only problem is that it is just not photo friendly. Why were they not considering tourists during construction?
Nathan displays some flair in his tunnel bridging technique:
Anyway, back to Goreme. I was bored by the cute and extremely overpriced town after a day and was forced to search farther afield for entertainment.
Although reminiscent of the Shoe Tree on Highway 50 in Nevada, there were only so many times I could visit this Clay Pot Tree in Goreme:
Tempting offer this is, yes! David opted for a motorized ride instead:
Diana and David wanted to rent dirtbikes for a day to go sightseeing in the area and convinced me it would be a good idea to join them. Never mind that I haven't ever operated a motorcycle. Or any type of motorized two wheel contraption, for that matter. David claimed to have a foolproof method for teaching anyone how to operate a motorcycle, but that didn't take into account the manager of the rental office watching us as we tried to drive off. Needless to say, it was blatantly obvious that I had not a clue about what I was doing and, after much cursing and shouting and pleading and pouting between me and the manager (guess which verbs applied to me), I found myself on a scooter. Not only was I now a bona fide tourist dork, I was with two people on awesome dirtbikes which only amplified my dorkiness.
Despite my geeky helmet and two-stroke engine whine, I had an incredible blast on that silly scooter. Probably because I almost had a bad accident about 1 minute after driving off the rental lot when a fellow opened up his car door right in front of me as I was whizzing by. I turned sharply and I'll be damned if that scooter didn't respond like a dream in a balanced manner. Right then and there I knew we would get along just fine. It was love at first near death experience.
The scooter had decals proclaiming "Off Road" on its sides and I took that to heart. I'm not sure it was really designed for crossing rivers, barrelling up and down outrageously sandy dirt roads (hello fishtailing), and going completely cross country down hillock-y slopes (not recommended), but I put that sucker through its paces. I had that baby going 85 kilometers per hour on the freeway (downhill, but still...), though it was difficult to get above 20 kph on the uphill. I almost -- almost, mind you -- felt like I was in a motorcycle gang. Yes, I felt cool and I was on a scooter. Delusions of grandeur, I know, but it really was on of the more fun days I've had in ages. We rode through cities, tiny towns, on crappy roads that were little more than glorified goat trails, past loads of ridiculous chimneys, dodging chickens and cattle and sheep and goats, and even picking up a shepherd who wanted a lift.
Pics during the ride:
Hobbit House!:Rock village worthy of The Flinstones:More, uh, chimneys:Funky river chasm:It was such a blast I think I might embrace my inner geek and buy myself a scooter when I get back to the U.S.
As if the scooter ride wasn't fun enough, I also made it a point to visit the International UFO Museum. It was a bit of an experience. Carved out of the rock (of course) at the base of a chimney, the museum is definitely worth the 3 Lira admission fee, if for no other reason than the chances are quite good that you will have the entire place to yourself. In fact, I had to track down the woman who was working there to get her to open the door for me.
Entering the museum is quite the production. First the woman cued up the sound system with some New Age-y type music while I stood in front of the large, locked, vault-like entrance door. Then she pressed a button on the sound system console and, with a loud, echoing unlocking click, the door slowly swung open revealing an unlit tunnel. I stood there wondering if perhaps I should have brought a flashlight when a series of lights successively blinked on, illuminating the tunnel like something out of a movie. They definitely had the effect down. I tentatively crossed the threshold and had only taken a couple of bemused steps when I felt a slight rush of air and heard the entrance door shut behind me with an ominous thud. After a brief moment of panic (it's not every day one gets locked in a museum, after all) I decided I might as well explore. I could always tunnel my way out with my fingernails if necessary, I figured.
The museum is pretty much just covered in a confetti of newspaper clippings and colored, photocopied paper describing various incidents and sightings. It is thoughtfully laid out into sections like "Types of UFOs" (photos of UFOs), "International Sightings" and "Turkish Sightings" (first account descriptions), and "History of UFOs" (alleged evidence of aliens and UFOs in cave paintings, etc). It was a little eerie to have the motion detector lights click on and off as I passed from one room to the next all by my lonesome, but it added a bit of ambience.
Until, that is, I found myself facing the "Alien Abduction" room. Which was pitch black. And waving my arms around did not seem to trigger the lights. I'm not a UFO believer, but I must admit it was rather disconcerting to be alone in a cave standing in front of a completely dark room marked "Alien Abductions." I took a deep breath and forced myself to walk into the room, hoping the lights would come on. They didn't. I took a couple more steps and did a slow turn. Still no lights. Creepy. Just as I was about to succomb to my time-to-get-the-hell-out-of-here response, the lights flickered on around a shriveled alien on its back in the corner of the room. Whoa, freaky. Then the rest of the lights came on and I couldn't help but wonder if the lighting was on purpose to maximize effect. If so, kudos to the design team.
Other than the lighting, my other favorite part of the museum was a life-size scene of aliens about to operate on a human.
I'm not sure why the museum creators couldn't have come up with something more, well, benevolent, than four aliens holding various ominous tools standing around a dummy sporting a long, curly wig. Maybe they were concentrating on the lighting effects. Whatever the reason, the museum was amusing and worth the visit.
The only true otherworldy experience I had in Goreme was listening to musicians playing traditional Turkish music in a small, 1,000 year old church carved into the rock. We had been told that there would be some music in a cave near our hostel and it sounded like something worth checking out. Turns out the music was absolutely stunning Turkish folk music, and the "cave" was a fantastic (though freezing) small church built into the rock. It is a yearly event put on by a group of folks from San Francisco and Berkeley, and three of them "opened" for the local musicians with some classic Bay Area style poetry and music. The Turkish musicians, though, were incredible. The last guy to play had an instrument similar to a guitar (can't remember how to spell it) and he was amazing. To me he sounded on par with guitar greats like Segovia, not only for his precise, yet effortless musicianship, but also for the depth of feeling with which he played. Another fellow was like the Turkish version of Boubucar Traore with a raggedly beautiful voice and was a true wandering troubador (the guy has spent his life just wandering around playing music). The third man played a simple Irish type drum with his hands in a soft, nearly caressing manner I have never witnessed. It was almost lush. The three musicians were truly gifted, yet none of them had any recordings. They simply played for the love of music which was a refreshing change from the typical commercial bombardment.